
Lead PictureTaira, B, Sakeema, Tom and Charley
Blog Guest Post
Lead PictureTaira, B, Sakeema, Tom and Charley
This text is taken from the Autumn/Winter 2021 subject of AnOther Journal:
“We’re wanting by way of the lens of a altering world.
If the human race doesn’t flip the telescope round we face mass extinction.
Local weather change will attain tipping level.
I’ve been attempting to save lots of the world from local weather change because the basis of Local weather Revolution 15 years in the past, and now I’m as much as Card 37 – front and back – I’m almost there.
I’ve bought my message throughout.
We’re already engaged on it! Comply with me”
– Vivienne Westwood
A brand new technology of vogue designers on how Vivienne Westwood evokes.
CHARLES JEFFERY
“There’s no denying that Vivienne and Andreas have paved the way in which for me and my work. I really feel like I’m from the identical planet as them and have my very own little island on it. Matty, too. It’s like we’re sending smoke indicators to one another and sending ships throughout the ocean, with good tidings.”
MATTY BOVAN
“Rising up I noticed the world a bit in another way, and I consider Vivienne did too. She doesn’t consider in conformity, and he or she and Andreas prefer to push the concept of what’s acceptable. That may be a nice, good thing to do and why their work speaks to so many individuals world-wide. Vivienne has taught me to really consider in myself and to achieve information of how and the place issues are made. To query.”
JUNTAE KIM
“For me, her garments liberate the physique. Once I first designed menswear, I used to return up towards the restrictions of what males’s garments ought to be. However Vivienne has helped destroy these stereotypes, the concept that sure garments are just for sure genders and lessons. Meaning freedom.”
MARVIN DESROC
“I like Vivienne’s resilience. I can’t consider one time that she’s bent to the foundations of the trade – even the phrase ‘trade’ can’t be related together with her. After we speak about Vivienne, we speak about artwork, emotion, design – that’s what I’ve all the time liked about her. She’s an artist, but has been in a position to final on this enterprise with out ever compromising who she is. In the meantime Andreas’s vitality and spirit are out of this world. It’s so refreshing to see – I like unconventional males.”
“I really feel like I’m from the identical planet as them and have my very own little island on it. Matty, too. It’s like we’re sending smoke indicators to one another and sending ships throughout the ocean, with good tidings” – Charles Jeffrey
CECILY OPHELIA
“Vivienne is the primary dressmaker I keep in mind remembering. Once I was 16, I discovered the cellphone quantity for the Vivienne Westwood workplace and rang up, asking if I may come to the studio for a gathering about an internship. I went the following day. Attending fittings with Andreas taught me a lot – he’s unpredictable but meticulous, an excellent mixture. And Vivienne has helped me to recognise the significance of workmanship and sustainability. Valuing the method of time serves each as a remedy and a protest towards the voracious cycle of the style treadmill.”
JULIAN CERRO
“My favorite present is Spring/Summer time 1994, Café Society. Kate Moss, topless, licking a Magnum ice cream, sporting the shortest skirt ever, with 18th-century make-up. What extra may you need?”
HASEEB HASSAN
“Rising up in Pakistan, I wasn’t actually conscious of vogue, not to mention the concept I may select it as a profession. Vivienne and Andreas have helped me open up and discover concepts whereas additionally being unapologetic about my background. For me, learning vogue goes towards the grain – Vivienne and Andreas’s work taught me to be myself and to consider in what you do in case you really feel passionately about it.”
STEVEN STOKEY-DALEY
“Vivienne Westwood represents the characterful unpacking and subversion of the British wardrobe – the artwork of dressing, of reappropriating content material inside clothes, of reinterpreting that into vogue.”
“She paved the way in which for individuals like me – with brave strikes like opening a retailer with ‘SEX’ written out the entrance in large pink letters. She helped open the door for provocative feminine designers” – Michaela Stark
A SAI TA
“What’s so particular about Vivienne is her spirit, her perspective and the truth that she didn’t come from a standard fashion-school training – you’ll be able to see that she performs by her personal guidelines. Vivienne taught me to do me, to talk my thoughts, to be courageous and fearless. Training doesn’t solely have to return from college – if something, you need to unlearn what training techniques have taught and search wider.”
MICHAELA STARK
“It’s, I’m positive, obviously apparent how a lot Vivienne has influenced my observe as a designer. She paved the way in which for individuals like me – with brave strikes like opening a retailer with ‘SEX’ written out the entrance in large pink letters. She helped open the door for provocative feminine designers.”
FLINT J MCDONALD
“It’s the appreciation of the previous for me, how she interprets that to the now. I’ve all the time been into historical past and historic clothes – the development and reduce of these garments is so fascinating to dissect and play with. Westwood triumphs at that. Enjoying with British heritage as she and Andreas do is an actual turn-on for me. And their appreciation of high quality – I’m a sucker for a luscious material.”
EMMA CHOPOVA & LAURA LOWENA
“Westwood was a designer we all the time appeared as much as as youngsters. The mixture of preferences, punk and historic costume has had a really robust affect on us and has formed us a lot as designers. The DIY perspective impressed us to get into vogue – to only strive making stuff with out the concern of every little thing [having to be] good.”
Hair: Eugene Souleiman at Streeters. Hair for portraits of Vivienne Westwood and Andreas Kronthaler, and Michaela Stark: Kei Terada at Julian Watson Company utilizing OUAI. Make-up: Janeen Witherspoon at MA and Expertise. Fashions: B at Idal, Charley Dean Sayers at Premier Mannequin Administration, Nicola Dinan at Xdirectn, Tom Goddard at Contact, Kyra Kaur and Taira at Storm Administration and Sakeema Peng Criminal at Crumb. Casting: Nicola Kast at Webber. Casting assistant: Julia Gilmour. Set design: Amy Stickland at Webber. Digital tech: Nic Bezzina. Digital tech for portraits: Sam Hearn. Photographic assistants: Matt Moran, Bradley Polkinghorne, Sean Morrow and Jack Storer. Styling assistants: Isabella Kavanagh, Ioana Ivan and Cari Lima. Hair assistants: Claire Moore, Massimo Di Stefano and Carlo Avena. Hair assistant for portraits: Takumi Horiwaki. Make-up assistant: Elizabeth Owen Perry. Set-design assistants: Harry Stayt and Molly Marot. Set-design assistant for portraits: Lizzy Gilbert. Manufacturing: Artistry.
This text seems within the Autumn/Winter 2021 subject of AnOther Journal which can be on sale internationally from 7 October 2021. Pre-order a replica right here.
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