The Inside Story of Epic New Volcano Documentary, Fireplace of Love

As Sara Dosa’s new documentary is launched, the American director discusses the exceptional legacy of Katia and Maurice Krafft – two younger volcanists who confirmed “how alive and interconnected the world is”
“No, this isn’t a science fiction film,” learn the subtitles saying a clip from Cap Sur L’Aventure, 19 minutes into Sara Dosa’s new documentary, Fireplace of Love. “It’s two younger volcanologists dancing on the sting of a volcano. They’re Katia and Maurice Krafft.” After their first assembly in 1966, the couple married 4 years later and would spend the remainder of their lives fervently absorbed within the exercise of volcanoes. Within the clip from French TV, they’re wearing matching silver fits, their favoured Jacques Cousteau pink hats (presumably worn to keep away from camouflage), swapped for heavy, bollard-cum-stingray formed metallic helmets.
“We had been in search of photos of erupting volcanoes in Iceland from the Seventies,” shares Dosa, who was engaged on the 2019 documentary The Seer and the Unseen on the time. “That’s how we discovered about them, as a result of there’s not an enormous pool of people that had filmed volcanic eruptions in Iceland within the Seventies. As soon as we discovered about them as folks we acquired hooked. Their imagery, after all, was spectacular, however their humour, philosophies, the actual fact they had been married, they had been in love with one another and had this distinctive way of life.” Working together with her collaborators Shane Boris, Jocelyne Chaput and Erin Casper within the early months of the pandemic, the movie was born out of a curious fascination and developed as a balm through the first lockdown.
“Personally, [the pandemic] was a time of great loss and worry, so engaged on a venture that was enchanting and transformative was such a salve,” Dosa explains. “Katia and Maurice had been skilled navigators of uncertainty. By way of their lives, they discovered tips on how to reconcile worry. So, at the moment, attending to study them was so inspiring.” The couple, who ultimately misplaced their lives to an eruption at Mount Unzen on June 3, 1991, left behind a mammoth archive that doubled as each analysis and content material for the filmmakers, whereas along with the various books, movies and images, family and friends additionally helped assemble an correct image. Maurice’s older brother Bertrand, particularly, proved an enormous supply of assist. “The very first thing he mentioned on our first name was ‘Katia and Maurice should not be forgotten!’ He had this sort of bombastic high quality to his voice,” recollects Dosa. “He feels that there are new generations who’re assembly them, understanding their legacy, and at our French premiere, he gave a gorgeous introduction to the movie.”
“Their household and buddies all the time talked about how love was the factor that guided their life. Love for volcanoes before everything, and their partnership that supported that zeal,” she continues, alluding to the love triangle on the movie’s core. “There’s moments that present up all through their life, the place the extra they discovered about volcanoes, the extra they realised they may by no means know. That pursuit of the unknown discovered resonance all through the movie for us; there’s a lot we might by no means learn about Katia and Maurice.” Elsewhere within the couple’s story, Dosa discovered the French author Antoine de Saint-Exupéry to be an enormous inspiration. “His quotes present up throughout their work, however one which doesn’t was so instructive to us,” she says. “I’m paraphrasing, nevertheless it’s mainly ‘love isn’t essentially gazing deeply into your lover’s eyes. It’s two folks standing aspect by aspect gazing on the similar factor’ – that actually illustrated their kind of affection.”
Narrated by the actor and director Miranda July, Fireplace of Love offers in details and affection – arenas her tone is expert in accommodating. “We had been drawn to her, not simply due to her curiosity and her vulnerability, however [because] she has such a profound means of observing human relationships,” Dosa explains of the late casting. “Miranda can go from the depths of 1’s soul to the expansive nature of life on earth in such a brief period of time. It was that intimacy and universality that we had been actually excited to work with.” Personally fascinated by how people make that means of the pure world – previous to filmmaking she had ambitions of changing into a cultural anthropologist – Dosa is equally aware of the political potential of the movie “to point out how alive and interconnected the world is, and that there’s no separation between people and nature.”
Someplace in direction of its finish, a quote from Maurice underscores the distinctiveness of the couple’s careers. “I really feel like I’m over 100 years previous with what I’ve skilled,” he says. In reality, neither Katia or Maurice had been even 50 years previous after they died, but they left behind an unlimited and distinctive archive – additionally utilised in Werner Herzog’s The Fireplace Inside: A requiem for Katia and Maurice Kraft, which premiered at Sheffield DocFest in Might. “I haven’t seen it but,” says Dosa, “however Katia and Maurice’s legacy is simply so expansive. I hope there’ll proceed to be movies made about them.”
Fireplace of Love is exhibiting in UK cinemas now.